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Sowne of Organe
Historic organs of Scotland
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Dundee: St Salvador’s Episcopal Church
Historical overview
Technical summary
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Glasgow: Evangelical Church, Cathedral Square
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Rosneath: St Modan’s Parish Church
Historical overview
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Duror: St Adamnan’s Episcopal Church
Historical overview
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Pipe markings
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Fochabers: St Mary’s RC Church
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Fochabers: Gordon Chapel
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Sowne of Organe
Historic organs of Scotland
Navigation Menu
Navigation Menu
Home
Surveys
Dundee: St Salvador’s Episcopal Church
Historical overview
Technical summary
Specification
Audio
Images
Glasgow: Evangelical Church, Cathedral Square
Historical overview
Technical summary
Specification
Audio
Images
Rosneath: St Modan’s Parish Church
Historical overview
Technical summary
Specification
Audio
Images
Duror: St Adamnan’s Episcopal Church
Historical overview
Sources
Pipe markings
Specification
Audio
Images
Fochabers: St Mary’s RC Church
Historical overview
Technical summary
Specification
Audio
Images
Fochabers: Gordon Chapel
Historical overview
Technical summary
Specification
Audio
Images
Events
Contributors
Contact
Rosneath: St Modan’s Parish Church
Hill & Son, 1873 — organ surveyed May 2022
Audio recordings
Impromptu No.2 in B minor – Samuel Coleridge-Taylor (arr. Arthur Eaglefield-Hull
)
Andrew Forbes
Initial Registration
Sw: Open Diapason, Stopped Diapason, Salicional. Gt: Stopped Diapason, Wald Flute. Ped: Bourdon. Sw/Ped.
Changes
End of first section –Sw Open, then Salicional. Central section +Sw Open, Salicional; Gt Gamba, then –Sw Open, Gt Gamba; then –Sw Salicional. Recapitulation +Sw Open, Salicional, –Gt Flute; later +Sw Oboe, –Sw/Ped; then +Sw/Ped, Gt Flute. Final diminuendo –Sw Oboe, Gt Stopped, Sw Open, and Sw Stopped, before +Sw Celeste.
Chorale Prelude on
Dundee
– Hubert Parry
Andrew Forbes
Initial Registration
Sw: Open Diapason, Stopped Diapason, Salicional, Oboe. Gt: Open Diapason, Gamba, Stopped Diapason. Ped: Open Diapason, Bourdon. Sw/Gt, Sw/Ped, Gt/Ped.
Changes
+/– Gt Principal, Flute for chorale tune passages. b15 +Sw principal; b30 +Sw Gedeckt, Gt Principal; b31 +Sw Fifteenth; b32 +Gt Fifteenth; b34 +Gt Trumpet.
Prelude in B flat, Op. 16 No. 2 – Clara Schumann (arr. Joachim Dorfmüller)
Chris Bragg
Initial Registration
Sw: Open Diapason. Gt: Stopped Diapason, Wald Flute. Ped: Bourdon. Gt/Ped.
Fugue in B flat, Op. 16 No. 2 – Clara Schumann (arr. Joachim Dorfmüller)
Chris Bragg
Initial Registration
Gt: Open Diapason, Stopped Diapason, Principal. Pedal: Open Diapason, Bourdon. Gt/Ped.
Choral [
sic
] with Variations – Henry Smart
Steven McIntyre
This recording uses the original 1873 registration scheme, avoiding use of stops added or altered in 1894, except Sw Gedackt 16′ (in Variation 6, as called for in Mr Thayer’s registrations). The sole 1873 pedal stop, Bourdon 16′, is used throughout. Swell box is fixed throughout (half closed), as this would have been trigger controlled in 1873, presumably with a notch available.
Theme
Sw: Stopped and Open Diapasons. Sw/Ped.
Variation 1
Gt: Stopped Diapason, Gamba. Gt/Ped.
2
Sw: Open Diapason, Oboe. Gt: Stopped Diapason. Gt/Ped.
3
Gt: Stopped Diapason, Wald Flute. Gt/Ped.
4
Sw: Stopped Diapason. Sw/Ped.
5
Sw: Open Diapason, Principal, Fifteenth. Sw/Ped.
6
Sw: Gedackt, Open Diapason, Principal. Gt: Gamba, Stopped Diapason, Wald Flute. Gt/Ped
7
Sw: Open Diapason, Principal, Fifteenth. Gt: Open Diapason, Gamba, Stopped Diapason, Principal. Sw/Ped, Gt/Ped, Sw/Gt.
Coda
as above +Gt Fifteenth.
Carillon de Longpont (
Pièces en style libre
) – Louis Vierne
Chris Bragg
Initial Registration
Sw: Open Diapason, Stopped Diapason, Principal, Fifteenth, Oboe. Gt: Open Diapason, Stopped Diapason, Gamba, Principal, Fifteenth, Trumpet. Pedal: Open Diapason, Bourdon. All couplers.
Changes
p3: Gt Comp 1 [see specification]. p5, +Gt Principal. Later +Gt Fifteenth, Trumpet.
Pastorale
(
Pièces en style libre
)
– Louis Vierne
Chris Bragg
Initial Registration
Sw: Stopped Diapason, Oboe. Gt: Stopped Diapason. Gt/Ped.
Changes
Gt +Gamba, then –Gamba. Sw +Open Diapason, then return to initial registration. Sw Stopped Diapason, Salicional, +Ped Bourdon, +Sw/Gt. Later +Gt/Ped, then –Gt/Ped.
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